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Conclusion

With these four adjustment layer types and a handful of filters, you can do nearly all the major edits needed for seamless work—from matching any ­layer’s look with another to syncing light and dark tones as well as color among layers. You can correct a multitude of discrepancies and even improve the overall look and feel of a composite with greater depth or motion. As you will see in later chapters, these adjustment layers and filters will help tremendously in just about any situation.

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