Conclusion
With these four adjustment layer types and a handful of filters, you can do nearly all the major edits needed for seamless work—from matching any layer’s look with another to syncing light and dark tones as well as color among layers. You can correct a multitude of discrepancies and even improve the overall look and feel of a composite with greater depth or motion. As you will see in later chapters, these adjustment layers and filters will help tremendously in just about any situation.
